Write Like a Champ

rocky 2

You may wonder why I haven’t posted a blog in over a month. Well, dear Reader, I was wondering the same damn thing, so here we are. I’ve been screwing around with that book, the one mentioned in my previous post more than a month ago.

The truth of it is that the first draft, which I thought kicked my ass plenty, was just the start of it. The second draft is harder because I have to keep the good stuff, get rid of the bad stuff and add new stuff to fill in the gaps. I’ve decided that the wish to be a writer is like having a mental illness; you don’t choose it, it manifests at inconvenient times and never shows itself when you need it to.

I decided that the stages of writing a novel really do follow the Rocky franchise, and I’m about to tell you how.

During the first draft, I was slumming. I hadn’t written in a while, and when I did I sent stuff to small-time gilt edged literary journals with a pay entry for competitions. I don’t write for the love of it alone, it’s more like a driving madness. Suddenly, perhaps it’s in a turn of phrase I overheard at the Olive Garden or the galactic shock of Michael Jackson’s death, but I have an opening line for something more substantial than a haiku. I think I’ve got a shot at a best selling title and I sincerely want to go the distance.

That’s the heart of the first draft – I want to finish it. I (pretend like I’m gonna) wake up early or stay up (really) late but I attend to it with the same care that Rocky drank those gross raw eggs. Going ten rounds with Apollo Creed is not unlike how I felt when the first draft was finally done. I felt kinda punchy but I made it.

The synopsis of Rocky II is that Rocky and Apollo fight again, then become friends. This is the stage where I went back and read my book like a regular reader from start to finish. Sure I made notes, but I didn’t make many changes. I noticed discrepancies and added commas where necessary. There were secrets kept from me in the first draft that are apparent to me now as I read thru. Characters developed during the writing and I can see them more clearly. I did get lazy in writing discipline while I let the manuscript rest, so I had to go back into training so I could make it another ten rounds. Training includes deep breathing, reading good writing and turning Netflix off. It also helps to write everyday, even if its long-hand

In Rocky III the tables are turned. The Stallion is now in the position Creed held in Rocky I. Clubber Lang is thirsty like Balboa was back in the day. After I made friends with my novel during the re-write I started to feel like I could be a real writer, one with a career and not just a notebook in my purse and a desperate look in my eye. I felt over-confident from my many triumphant wins during the read through, like witticisms I forgot I wrote or off the charts shenanigans that are brilliant. Rocky III takes me down a few notches, when the notes I made during the reading have to be instituted. This is the cutting room floor, y’all. The re-write beat me down. This is where I am now. I pity the fool!

Rocky IV is perhaps my favorite. Though I’ve seen this installment more than the others, I am far from its equivalent in my writing career. This is where I imagine dealing with the publishing industry. The cold, hard tundra of business and negotiations on behalf of something that could’ve taken eight or so years to write. I can clearly see the tiny Balboa looking up at that giant blond Russian played by Dolph Lundgren. That is how I feel about this stage of my career. When the agents and editors say, “I must break you” I mustn’t let them.

Rocky V is the one I pretend didn’t get made. This is the equivalent of what should end up on the cutting room floor; where the files of bad ideas, false starts and sketchy backstories I might think of resurrecting later for a sequel land. I suggest skipping this stage, and this movie, and go straight to Rocky Balboa.

This installment of the Rocky franchise came later. I saw Balboa in the theater with my grandmother. When Rocky I came out in 1976 I wasn’t born yet. Rocky Balboa shows a much older Rocky back on the old block. He owns a restaurant now, he’s a mostly happy widow with a jerky hitch in his step like he could walk into a hay-maker on his way out of the kitchen. We can still see The Italian Stallion in this old guy, we know he’s in there. Writers have that same stalwart psyche; it’s part of who we are, and if properly provoked we’ll come directly out of retirement swinging wildly. This is where I admit that I’ve considered giving it up, the angst and uncertainty of a writing life is so not glamorous, but sometimes you’ve just got to show ’em what you’re made of.

Creed, the most recent installment had me like….. hold on, I need a minute.

Apollo’s son shows up on Rocky’s door hoping the champ will train him. Rocky is old, y’all, they didn’t even try to make him look good, but he still has that slow brown eyed sincerity. And of course he trains the kid, and this is the stage of writing known as mentorship.

Let me tell you something, right now you don’t want me as your writing mentor. I haven’t done anything but self-published content on a blog I bought and, also, hammer out a few first drafts in typical genres. I also fill notebooks with beautiful handwriting that is as easy to read as classical Sanskrit.

My mentors are Stephen King, who wrote the manual for us would-be authors, On Writing, and Natalie Goldberg because she is so damn consistent about writing for a writer is as necessary as coffee and peanut-butter. It’s part of our well-being. I should add that I’ve never actually met these people, so if you see Stephen King and tell him, “Oh, I read a blog post written by your protege, it was wonderful.” He’ll have no idea what you’re talking about and I’ll probably get a cease and desist order in the mail.

When I’m feeling really lost about the business side of writing I go look at websites for authors I admire. I also read books that create for me what I aspire to give my Readers. Currently Drums of Autumn performs this task for me, but so has The Mists of Avalon, Clan of the Cave Bear and Ann Rice’s The Wolf Gift.

When Apollo’s son went into the ring Rocky was right there by his side, just like Micky was there for him. That’s what a trainer is supposed to do and that’s how mentors work. The thing with Writing is that it’s a job in which the fighter must be in their own corner, which is sometimes the hardest part of the craft. Certainly we have friends who support us, a mentor we rely on, a Teacher we trust. But in the midnight hour, they’re all asleep! Writing is a solitary career, but I have a sneaking suspicion that it’s a worthy one, like anything you put your heart into.

rocky

 

 

 

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Vintage Word

If you have not read Night Circus yet, I suggest you put your tablet down and go buy it. Get yourself a nice paperback copy, it feels nice in the hands. Be sure and clear your calendar, you’re not going to be available for a while. When you’re finished, come on back.

I was so enamored with the book that I looked up the author, who is almost as interesting as her work (would that someone would say that about me one day!) and her website does not disappoint. I am curious about authors who have crossed the rainbow bridge into the world of publishing, and in particular the author of Night Circus, Erin Morgenstern.

Because she is a good person, she has a page on her website for aspiring writers. You see, she was an unknown who was published by cold calling agents and editors (le sigh). I’ll have what she’s having, thankyouverymuch. I figure she knows what she’s talking about, even if she is a fly by the seat of your acrobat leotard kinda girl.

In her post on writing she says that she writes on a program called Scrivener. Well, obviously I need that, too. Right? But I have written on Microsoft Word for so long that it stands to reason it’s best not to waste time teaching old dogs new tricks, or more accurately, a sassy nearly middle aged cat who isn’t interested in learning anything new.

I pecked and searched my way through quite a lot of my first draft before my computer broke. It wasn’t sudden, either. I got to watch it wither and wilt with periodic spasms and death rattles. Damn the machine! I was in a frenzy to save this long drawn out document that may one day be my retirement from all of the jobs (except the ones I love, and I’ll leave it up to you to guess which ones they are).

I go get myself a new computer with no little whining about having to learn a new operating system. The worst part, I think, is getting accustomed to the new keyboard. It never feels just right until all of the sudden it does. When that moment arrives, good luck if you have to change again; old dogs and all.

I saved my stuff online with great displeasure. I am dubious of online storage things. My precious work, the words over which I labored and have not yet brought to conclusion, what if it ends up in the wrong hands? What if it is pirated? What if it is somehow spoiled or abducted by sand fleas and made to perform in small tents?

Then it occurred to me that I have plenty of content I put on the internet on purpose and very few people read it. I can’t drive traffic to my blog, and I’m worried someone is gonna go and pirate something I’ve written? Are they somehow going to go and get famous with work I can’t hock for free? Doubtful.

So, I started writing on a word processing program and I actually finished the first draft. I wasn’t happy about the way the word processing program felt, much like the new keyboard. The program didn’t have formatting up to my nearly professional standards (standards which I only discovered moments before my previous computer ceased its operations). This online writing program felt hollow and I knew it was a short term relationship, not unlike a passionate and combustible love affair.

Today that manuscript and how to proceed has rattled around in my mind. How to enter the next phase of editing? The Apollo phase, I like to call it. My nerves can’t take another moment of this online program, it’s too blank and generic. The obvious answer is to do what Erin Morgenstern did – write on Scrivener.

This program is confusing as hell. I’ve tried to learn it in the past and concluded it must be an operator error. There are sticky notes, cork board applications, there are even little digital push pins where you can hang your ideas and stuff. In the event you, Reader, and I have met in real life you know that I only have so much tolerance for fancy technologically advanced stuff and by my estimation there isn’t much more advanced stuff than digital pushpins and internet cork boards unless we’re talking intergalactic travel, in which case that might be more advanced.

I went running back to Microsoft Word. I’m not sure why I waited for so long. It came pre-installed but not activated on this new PC. Maybe I was trying to be different, technologically advanced or a good protege of Erin Morgenstern. But I just now put Word on my computer; it is offline and pretty much just the same as it was on my old, long lost computer. I swear even my keyboard feels better with my characters dancing around on a familiar word processor, not that my characters dance much. I will tell you that they don’t do too much yoga, either. I add this because folks are sometimes under the impression that I must be writing some sort of treatise on yoga or other advanced spirituality themed work of inspirational aphorisms.

Nope. It’s fiction and it’s ready to get the second draft treatment. I feel like someone should start the Rocky theme song. Ding. Ding.

New Moon Resolution

How have ya’ll been doing with the daily downward facing dog practice? I’ve got something cool cooked up for us to try next month, but stay with the daily posture practice, even if you vary it a little. Maybe spend some time in puppy pose or child’s pose as variations.

On the topic if daily practice, I cannot help but think about to-do lists. I don’t know if you’re into that sort of thing, but I am. I don’t try to be, but I find myself with my pastel colored index card writing out a pretty little list of stuff I want to do that day. Not only that, but what needs to get done that day.

Look, I’m not putting “go to work” on this list, because that’s a given. So is “go teach that class” and “stop by Target for cat litter”. I have all the major bases covered. What I have to itemize are the things that will fall through the cracks on me when I’m not looking.

Sometimes it feels ridiculous, the things I put on this index card. Sometimes it feels so important that I get to all of it. When I inevitably don’t get to everything it is such a major letdown that I double up on the items for tomorrow’s list, because that is a helpful remedy for time constraints and one’s sense of self efficacy, right?

I’ve been feeling a little pinched for time lately, and for no reason. I don’t have a nine to five job *whew!* and I don’t have children. What I do have is an incredibly flighty mind, a few social media accounts and no little talent for online shopping.

We have the new moon upon us Monday evening. The new moon invites us to practice restoration, withdrawal from the busy-ness of our daily grind, the ability to look at what is working in our lives and what is not and to make resolutions accordingly from the clarity we find in meditation and silent reflection.

This is a time to plant seeds, too. What do you want to watch grow over the coming weeks? Where do you want to invest your energy and attention? These are powerful questions when asked with consciousness because we answer these questions every day sometimes with a great lack of awareness.

In what do you want to invest your energy? In what way do you want to direct your Prana?

Well, I for one don’t want to invest myself in the vast wasteland of my imagined plans. I don’t want to sap my strength for real expression by running on the rodent wheel of to-do lists laid to waste by the unexpected turns of life, weariness or varying priorities. I might have had “write a blog post” on my list for yesterday, but if a friend sent me a mala to be repaired maybe I’ll choose to work on that, instead. It is not a waste of energy, just re-direction. The waste of energy is in the regret of an un-checked off list; in reality, the list is mutable. It is the mind that makes it rigid.

By some divine inspiration, I am certain, I was inspired to work with the concept of a to-do list on this New Moon in Aries. Aries, a fresh fiery sign already associated with the Spring, it’d be easy to ride the coattails of this energy and make bigger, better faster to-do lists for these longer, brighter days. Ruled by Mars, Aries energy could make it easier to use these lists and aspirations as a road to ruination. How many times have I beaten myself up over (as yet) unfulfilled dreams or poorly planned good intentions? Let’s use the spark of this sign to energize our focus on where we DO want to invest our sacred energy.

So instead of getting all “tasky” on myself at the height of my frustration with my inability to get anything done (though, in truth dear Reader, I get plenty done) I decided to turn the art of task listing on its ass.

I made a do-not-do list. You are welcome to join me.

I started by asking myself what is the project on which I wish to spend the most time. The answer is a writing project. I finished the first leg of it and am now in the perilous land of reading what I have completed – all nine hundred and seventy two pages of it (it’s not really that long, but, you know…) Essentially I have a push you pull me relationship with the love of my creative life.

So, I figured out where I don’t spend my time. So what in the hell am I doing when I am seated in my writing chair with the computer on? Come one…one more guess…

Yup. Internetting. Flipping channels between Instagram (@electricmala) facebook and ye ‘ole gmail – for no good reason. Also, amazon, because I wanted to see what kind of coin belts they have for belly dancing. I might also need a cross-body pouch for all of my outdoor activities (of which there are none). There is a new moon oracle that is back in stock from an indie publisher….

You see how this goes.

Instead torturing myself with stuff I need to get done and then doing things that are the opposite of that, I have made a New Moon in Aries resolution to not make a to-do list (for at least these two days ripe with new moon energy). I’d like to see what I gravitate towards and where I invest my energy without the guilt of a looming index card of shame.

There is no cajoling myself towards one project when I feel pulled towards something else. I might color, or read Outlander’s most recent installment – Drums of Autumn – perhaps I’ll write that blog post or practice yoga outside. I might drink coffee and think quietly to myself – which is quite the new moon activity to do.

On the other side of this New Moon Resolution is a certain level of restraint. The moon is a powerful symbol of time and presents a fantastic reflection for working with one’s relationship with time. As I admitted, I waste a lot of time internetting, pointlessly so. If I need new shoes or yoga pants I don’t take five hours in the mall shopping for them so why in the hell does it take so much longer on the internet?

So, in addition to not making a list or itemizing my activities in an effort to legitimize my existence, also, there will be no internetting.

“Ah ha! Prana Devi!” You might say, “I caught you! Already internetting! Are you not in the internet writing this blog post right now?”

That’s right, you caught me. I am, in fact, on the internet right now. But I am writing – a perfectly honorable and important endeavor to my sense of fulfillment as a human being. I am not, however, trolling zappos to see what Patagonia might have in the way of slinky sandals appropriate for drum circle dancing at the beach.

Let me tell you something, the seductive glow of the information screen has a way of shifting your perception of time. I think it also changes cognitive function and our ability to focus, which has everything to do with one’s ability to get things done, feel good about oneself and, also, reflect on the moon, which is of the utmost importance in our fast-paced daily grind.

So, even for a few minutes, stand still and watch your breathing. In the very least, instead of thinking of everything you ought to be doing, take a moment and appreciate all that you have done. Itemize each accomplishment, large and small, over the last day, week or month. Give yourself three minutes in this space and see how differently you feel from the gratitude that wells up. And know that even though from the outside it might not look like time well spent, time not wasted in unwarranted urgency is priceless.

 

 

 

Moon Hand Sun Hand

On Friday I went to Atlanta for a workshop called The Yogic Teachings of the Moon. Who wouldn’t want to go learn about all of that?

We may have been learning about the cooling light of the moon, but my Swami was on fire all weekend. She walked in Friday night with Shakti blazing and it was all Celestial from there. I wouldn’t begin to give a synopsis of the teachings, so this isn’t what the post is about. It’s about left and right, my friend, and my relationship with it.

The right side of the body is associated with the sun, brilliance, intellect and the masculine. The left side of the body is the moon, creativity, and the feminine. There are pranayama (breath practices) one can use to bring the left and right sides of the brain into harmony, so neither dominates the other. This leads to a stillness in the mind that helps us enter into deeper states of quiet and meditation. It is a point of balance so brilliant and illuminating that it is comparable to the sun and the moon.

I often think of the left and right side of the body, being a yoga instructor I deal in one side at a time. I am also intrigued with handed-ness. I quickly notice if I am dealing with a left handed person; one of my managers at the restaurant, the tattoo guy who put Bastet on my leg, the students at Uru Yoga and Beyond who sign their name on the clip-board, having to turn their bodies just so to the negotiate the pen on the straight line.

As a kid, my first urges to retrieve a Crayon or a fork was with my left hand. At the same time, I had a wonderfully well-meaning great-grandmother who wasn’t having any of that. Her name was Honey and she worked with me all the time. She taught me how to spell and write when I was very young. This is, in part, why I am so advanced to this day. I also credit her with my love of writing and books of all kinds. Granted, this love has sometimes become a bit of an obsession with reading materials, but also it is still a blessing.

While she was teaching me how to write my name and other important things like colors and animals, she insisted that I use my right hand in spite of my left handed tendencies. She was superstitious and believed that left handedness was a sign of witchcraft and other devilry that we didn’t want around. And so, my left hand was abandoned for the more wholesome right hand.

Well, it seems that left handed people are known for their creative brilliance. They are wildly innovative and successful like someone born under the sign of Leo without a single malefic planet buggering their aspirations. This is the left handed person. The right handed person, infinitely more common, is analytical and thinks ‘like the rest of us’.

Here I am, in handedness purgatory. I feel cheated. I am not ambidextrous. If I tried to write something with my left hand the entire appendage would look something like a writhing turtle chewing the eraser end of a pencil. However, there are some things I do like a left handed person, like when I went boxing I stood like someone who’d used their left hand their whole life.

I have often wondered if this little well intended change to my handedness didn’t hinder my ability to fully harness the creativity I feel coursing through me like currents of good ideas grounded too soon, like lightening with poor depth perception. I have wondered if my brain didn’t fire the way it was supposed to and so, I didn’t fire the  way I was meant to.

Last Saturday, after we learned about the Moon and Her Yogic Secrets, me and a whole bunch of ravenous yogis went to an Indian restaurant and ate our weight in delicious food. While I am scooping up some spicy brown sauce I notice the woman across from me eating with her left hand. She is a stroke survivor and now teaches yoga to other stroke survivors. I am compelled to ask, “Were you right handed before your stroke?”

She was right handed before her stroke. I was interested in the process of changing one’s handedness as an adult and due to such an intense circumstance at that. Changing her dominate hand was not a choice but a fierce act of healing. I felt a little ridiculous when I told her about Honey and my obsession with hand dominance in light of her life and death ordeal.

This woman has large brown eyes swimming in smooth, dark skin. Her hair is very short with a shock of white near her hairline, which makes her youthful appearance look very wise.  When asked about her experience, and my reason for asking, the space between us felt very quiet, held  in the silent grasp of her clear gaze.

She moves her food around with the fork as we move into a conversational tone on this topic, other friends nearby chime in here and there. While she is talking to me, I notice her right hand resting tranquilly in her lap. Then she says, “Maybe this change helped you somehow.”

I feel my head turn to the side, like a dog who isn’t sure if its human asked if it needed to go outside or if it wants a treat. She says it again, in a slightly different way, but I just hold my breath in this novel idea’s wake.

What if being forced to use my non-dominate hand during early development was somehow a boon to my thinking processes. Perhaps creativity has flourished in distinct and unprecedented ways because of my superstitious great-grandmother?

Let me tell you something, Reader, this never occurred to me. If I hadn’t been sitting down at the table, I would have had to sit down for a minute under the weight of this implication. What if my effervescent personality, quirks and all, are the product of the way my brain adapted to changing from left to right dominance when I was two? Maybe this is why I am good at mirroring a fitness class when I teach it, perhaps this is the reason you like my writing, I can draw really good horses, I make such fine malas and understand the language of cats.

This was a lesson not in handed-ness but in the thinking mind’s processes and its gravitation towards the negative. I had not even thought there could be a positive to this and so never believed in it.

This year, with the same Swami I just went to see, we are studying the Yoga Sutras. This is the instruction manual for yoga practice, and unlike my previous post I ain’t just talking about downward facing dog. In this text there is a lot of talk about the mind and its ‘fluctuations’. In this study is the invitation to choose one’s thoughts, which I think is a really seductive practice, perhaps even more appealing than floating between handstand and scorpion pose. The ability to choose my thoughts, and recognize that I am not my thoughts, is one of the wildest and most healing benefits of yoga.

I see that I was creating separation between one side of myself and the other; the left and right at odds with each other and my ability to be in the world as my fabulous self hinging on the outcome of this battle. However, if my left handedness and right handedness combined to work on behalf of  the still point between the sun and the moon within me, then I empower that unity by dis-empowering the negative mind.

This is real wild territory. Perhaps uncharted territory, but a landscape that is rich with the potential to be free from the barrage of negative thoughts. This feels like the landscape of the Cosmos, the very same one that spins within each and every heart on the planet, not too hot like the sun and not too cool like the moon, but just perfect as it beats in time to the rhythm of life. Who wouldn’t want to go learn about all of that?

 

When Worlds Meet the Moment

After a ten year sabbatical from fight training I returned to the “ring” this evening at Title Boxing, which just opened on Nine Mile Road. The ring is actually a mirror lined room evenly peppered with hundred pound heavy bags like meat carcasses in a freezer (thank you Rocky) with well hidden speakers pumping bass jams into the arena.

Let me tell you, first, that yoga is the only exercise I do – ever. Sometimes I walk but more to get outside than for fitness because I do not walk very fast. I saunter and sometimes take my mala beads or a notebook, inspired by Mary Oliver to do so.

So, for ten years or so I’ve done plenty of yoga poses, flow, sequences and whatnot. In the last four years or so I have deepened my relationship with breath practices and meditation. I have not been running, walking up or down a treadmill or taking Zumba classes. There just isn’t enough time in the day to do all my delicious yoga stuff and also be Billy Badass.

When I went into the gym today I felt a rush of nostalgia infused with adrenaline and the unique feeling I’d forgotten comes from the experience of kicking something’s ass. When we approached the desk a very pleasant lady asked what we usually do for exercise, which was nice given she formed her question with the assumption that we did something. My sister told the lady that I teach yoga, which was nice of her since I didn’t want to brag.

There is a semi-circle of benches wherein the trainer wraps our hands so we don’t get blistered in the gloves. While the bearded former Marine spins the blue wraps across my knuckles there was a surreal moment of different times in my life meeting in one singular moment. This moment, of getting my hands wrapped is not different from unrolling my mat, not different from opening my computer to write.

I did ask him, pro to pro, if this is his only job. I salivated when he said “yes” this is his only job. I could have foregone the class and picked his brain on how to make the fitness industry work in one’s favor. He seemed chatty enough but there were other folks to wrap and he still had to show us where the water fountains and bathrooms are.

When the warm-up began I started to get a little nervous. It all started to come back to me – the jumping jacks, jumping rope, oh mah god the push ups! Damn! This is going to be more than just hitting the bag.

I wonder when I’ll start to sweat and if I’m going to need my little sister to carry me out of there. If this happens, I might regret telling those people where I teach. I would hate to give Uru the reputation of housing weak ass yoga teachers.

Round 1. I love it. I am not sure what my sister thinks but we smile a few times in the mirror after we discover we might live.

Round 2. A combination of jabs and hooks, my favorite. I observe my breathing, accelerated but steady. My face isn’t contorted and my feet feel light. This does not hurt my knees, though I want to kick the bag even though this is not a “kicking the bag” class.

Round 3. Still not dead. In fact, quite alive thankyouverymuch. I catch a glimpse in the mirror and see my shoulders are buff from exertion. Yoga shoulders, I might add. Yoga breathing, I might add. Yoga focus, I might add. Kinda Yoga Badass.

Round 4. I realize my sister signed us up for eight rounds. I realize, also, I do not have speed. I start to remember that speed is where I struggled and failed. My hands are not fast and neither are my feet. But I can get very low for my upper-cut, so there is that.

Round 5. There are sixty seconds between each round in which we do some exercise but also rest. I think about getting water but am afraid because I had noodles kinda close to this class and don’t want to throw up. I still want to kick the bag.

Round 6. I might have kicked the bag. But only a little bit and just with my knee, so everything is okay. My stance is left-handed, so my right foot is forward. I remember that I was left handed when I began writing at an impressively young age and my well-meaning great-grand mother made me use my right hand so that I didn’t grow up to be a witch. She did not manage to effect my boxing stance, probably because she didn’t yet know I had one.

Round 7. Freestyle. I like this because we get to use our own combinations, but still no legs. I might have to go back for a kick boxing class, if my knees can take. Due to a longtime running habit my knees get crunchy when the weather is cold. It is either from the running or I am an old lady, I am not sure.

Round 8. I am SO not an old lady. I did finally get a very small sip of water and I did not throw up. The last round is a bunch of speed series at which I fail miserably. I sort of stand there bopping the bag with my gloves repeatedly.

The cool down is actually abdominal conditioning. No one does abs like Kali Natha Yoga, so this is, if not easy, then not the worst of it. Since I have been practicing Kali Natha yoga with Swami I have the strongest abs. This is all very spiritual and very convenient  when one ends up in a boxing class.

Finally, downward facing dog for some reason. It is awesome. I want to hang out there for many, many breaths but the class is over. The music is still blaring but it would seem strange if I hung out in down dog when everyone wants to leave.

A few things I learned; yoga is also conditioning. I do not know how it works because we do not hop around in yoga class and we certainly do not do jumping jacks, jumping rope or oh mah god the push ups. Okay, so yes push ups but they are very fine yoga push ups which we call “low plank” which makes them somehow more palatable. We do fire breath and I wonder if this isn’t something like cardio conditioning.

You really do have to settle on one thing, whatever that one thing is. For me it was yoga. When I met my Teacher I focused all of my attention and devotion on the practices and techniques that she teaches. I had to let some stuff go because there isn’t enough time in the day for all of the delicious yoga practices and also being Billy Badass.

Incidentally, it’s the devotion that makes the Badass. It’s focus that helps us grow. Daily practice doesn’t hurt, either. And in the future when a yoga student asks about what I do to stay in shape and I tell them that, honestly, all I do is yoga I have a reference to support that yoga is enough.

 

 

n experience to back it up that yoga is enough.

Bad Mentor

I have been thinking of a fun, ongoing theme like a story arc I will use over several months or even a year or more. A few thoughts; My Vegan Year 2017, What Happened When I Quit Watching the News 2017, Teaching Yoga: A Traveler’s Log and finally, The Art of Resignation: How to Quit Your Job with Style in Five Easy Years.

Perhaps it was the renewal for this blog that just came and went through PayPal like a zephyr. My posts have been random with the same being said for readership. The problem with online media is the sheer volume of competition, the noise level and degree of content that it is easy to feel peripheral and inconsequential.

There is another element to this, too. I have not been sharing posts on my social media. I have become curious about what I might write if I were not writing to my yoga students or the community in which I work and teach.

Everyday I think about quitting my teaching post at the yoga studio. When I arrive at the studio I think – this is it, I’ll resign tonight. I don’t have another class in me, I’m not really doing anything, I ought to just try something else. I hear they’re hiring at Navy Federal. The problem with studio classes is the sheer volume of competition, the noise level and degree of content that it is easy to feel peripheral and inconsequential.

I do not feel this way while I am teaching. I feel the complete opposite, actually, like confidence and grace is like vapor that descends from the ceiling and coils through the twisting limbs and into the soft hair-lined nostrils as breath and renewal. While the class is in session the background noise fades and I am able to interact with the beings and energetic bodies of the humans on their mats.

I began teaching yoga five years ago. When I launched myself into this “career” I believed there would come a day in which I woke up, taught yoga and lived my life. My reality is that everyday I try to wake up and live a life that is interspersed with yoga classes that I teach  between other jobs I work.

Someone suggested to me that to be taken seriously as a teacher I ought to quit my job at the restaurant. Though this person has probably put me and that conversation out of their head, I remember it when I am burned out from my schedule and discouraged by the business. I think, Well if I had quit my job I’d be doing better now. 

In reality, if I had quit my job I’d be good and pissed right now, possibly swinging from a pole that is not part of a fitness and personal development curriculum to pay for yoga workshops in Atlanta. I’d split my income between prayer shawls and glitter thongs for roll call on the main stage. Let me tell you something else – I wouldn’t be any less of a yogi for it, either.

When I was young and wanted to write for a living there was always someone who would say, “If you really want to be a writer you should go to New York, that’s where all the writers are.” I consider these two pieces of advice,Quit your job and move to New York, equally inane and ridiculous.

I have found a bridge between professional burnout and a viable career in a saturated fitness trend. I study Kali Natha Yoga in Atlanta and have begun teaching it at the studio in Pensacola. Between teaching a class and waiting in the parking lot to see if anyone is going to show up, there is this practice.

Kali Natha Yoga is a moving meditation, it is the dance of prayer. The instructor practices with the group on his or her mat under the premise that we are all in the practice together with the instructor serving as a guide but also a participant. It’s a devotional practice wherein we might go from an intense standing series to chanting to Lord Hanuman, the monkey general and lord of devotion. One moment the class is practicing fire breath and then the next flowing so sweetly from one pose to another we are like little leaves riding the surface of a river.

I have no intention of quitting any of the several jobs I have so that I can prove to anyone that I am worthy of teaching yoga. I have learned that worthiness can be a tool of the ego used to sabotage the most well intended folks. I believe that teaching yoga is a Grace that is palpable once we get around the business side of it and the busy-ness side of it. For this I am a questionable mentor to future yoga teachers. If asked, I would say, do not try to teach for a living, teach for transformation. Teach yoga to make an effort on behalf of the good, teach yoga to reach yourself. Guide classes to light your path and follow someone who knows what in the hell they’re doing. Once you start you can’t stop, though it might not go like you intend. Teaching yoga is like casting spells, it can turn on you in sweet and unexpected ways. The outcome is unpredictable and possibly better than anticipated . I would not have said this five years ago.

My teaching schedule will change again in the new year, though I am not sure in what direction the changes will take place. Perhaps I will add classes or maybe I will shift my schedule around so that I have more time to edit the second draft of my novel. Didn’t I mention that I still plan on a writing career? And I plan on doing it without ever even visiting New York, though with the right book deal I might actually quit my day job.

Jaded Primitive

I am doing a Mary Oliver sadhana (practice). I totally made it up, but I like it. I like Mary Oliver.

I remember being in class with Laura at Dragonfly Yoga Studies, where I did my 200 hour yoga teacher training. I was one of my first few classes with her in late October before the January training began. Class was hard and intense and I believed that if ever there was a human who could help me become an effective yoga teacher, it was Laura.

I felt insulated and regimented in the hour and fifteen minute class, in which she played no music or tried much of anything fancy, just deep and real instruction. I learned to lean into the discipline of the practice and found satiation there, even with the open wound I carried around with me, my heart still tender from a loss.

She read a poem as we went into savasana, which Mukunda Stiles calls relaxation and absorption pose. Typically known as corpse pose, I stretched out on my back and felt the heaviness of my body rest into the Earth. I felt wrung out from the practice, but also lustrous on the inside like I had been polished in some important way.

The poem she read, In Blackwater Woods, tore through me like a million tiny stallions breaking free of their pens. I had never heard of Mary Oliver before that poem cut channels to my heart from the hard rock shaped by life….

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment…

I felt myself crumbling a little bit when she enchanted the poem over us. Then she began to chant some mantra I had never heard in my years of self-study. It rang through the room and burst through my eyes. She walked around smearing essential oil on our heads like a priestess anointing initiates.

…Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.

I remember the feeling of her fingers, coated with lavender essential oil, pass through the tracks of my tears. I needed this poem and the poet, too, who took me to the edge of lying down and allowed me to bow deeply to my heart.

It is six years later and I have learned that Mary Oliver is one of the unofficial poets of the yoga community. New teachers come along, fresh like I was when Laura held me in her voice, and are smitten by the imagery of this artist’s work. I began to feel like a cliche, at once moved by something that is old hat to the disenfranchised. I watch new teachers make the same discoveries and wonder how I didn’t see myself, silly and new, falling in love. I sometimes feel the rigormortis of cynicism stiffen my mind that rested so easily in corpse pose those years ago.

The Mary Oliver practice is one I devised to brighten my practice of writing and mindfulness. Her work is one of the mysteries, nature and something primitive the mind isn’t advanced enough to understand. Her poetry silences thoughts not unlike Rumi or Ramprasad, but different.

Since my perspective of teaching yoga has changed in the last few months and so has my perception of my other work, like writing. I finished a longer work of fiction which I am allowing to “rest” as Stephen King suggests in his book “On Writing”. Six weeks is the minimum length of time one should step away from the story before attacking it for the second draft.

I’d just gotten my legs back under me to finish this book, which has absolutely nothing to do with yoga, by the way. I’d hate to lose momentum, especially since it’s so damn hard to gain through the discouragement and loneliness of writing.

The Mary Oliver practice consists of writing a poem a day for 40 days. The poem is inspired by something I encounter that lends itself to a feeling, memory or insight. When you see the moon, dear reader, what do you see in your inner landscape, illuminated? When the band of merry raccoons dance around the pool, who are you reminded of? Make a poem out of this.

A poem a day doesn’t sound like a lot, but try it. It is an art of discipline and creativity which are the ingredients necessary for gaining and maintaining momentum, both of which are necessary for spiritual practice as well as artistic endeavors.

If you would like to practice with me I would love to see some of your work – post your poetry in the comments if you’d like to share. If poetry, observation and writing practice bordering on Zen aren’t your thing, you might like to participate in NaNoWriMo with me this year… but more on that later.

In Blackwater Woods

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

–Mary Oliver (American Primitive, 1983)